Pérez Prado – The King of Mambo Film uses the Spanish Customs name: the first or last name is Pérez and the second or their last name is Prado.
The Mambo Film of Pérez Prado album Il Re del Mambo (The King of Mambo) information background The birth name Dámaso Pérez Prado is also called “Prez” Prado, “The King of the Mambo” was born on December 11, 1916, Matanzas, Cuba. life September 14, 1989 (age 72) Mexico City, Mexico Genre Mambo Occupation (s) Musician, arranger, bandleader, composer RCA Victor Associated label Sonora Matancera behavior, the Pérez Prado Orchestra.
Dámaso Pérez Prado (Spanish: [ˈ peɾes ˈ pɾaðo]; December 11, 1916 – September 14, 1989) was a leader, an organist, a pianist, and the Cuban music composer also came out. show in short films.
Pérez Prado’s biography – The King of Mambo Film
He is often called the “king of Mambo“. He became famous and professional invoice like Pérez Prado, his surname and his mother respectively.
Pérez Prado became a Mexican national citizen in 1980. His orchestra is the most popular in Mambo. His son, Pérez Prado, Jr., continues to lead the Pérez Prado orchestra in Mexico City to this day.
Early Life Pérez’s biography was born in Matanzas, Cuba, on December 11, 1916; his mother, Sara Prado is a school teacher, his father Pablo Pérez is a journalist at El Heraldo de Cuba. He studied classical piano during his childhood, and then played organ and piano in local clubs.
For a time, he was a pianist and edited for Sonora Matancera, Cuba’s most popular group at the time. He also worked with the Casino Orchestra in Havana for most of the people in the 1940s. He had the nickname “El Cara de Foca” (“Seal Face”) by his colleagues at the time.
In 1949 Perez moved to Mexico to form his own band and signed a recording contract with RCA Victor. He quickly specialized in mambos, an optimistic adaptation of danzón Cuba.
Perez’s Mambos stands out in competition, with their fiery brass riffs and powerful saxophone counterpoints, and most of all, Pérez’s brand Grunts (he actually says “ilo Dilo!” in many of the cognitive Grunts). In the 1950 arranger Sonny Burke listened to “Qué Rico El Mambo” while on vacation in Mexico and recorded in the United States “Mambo Jambo”.
The single was a hit, leading Pérez to launch an American tour. His appearance in 1951 was sold-outs. RCA producer Ethel Gabriel signed a contract with Prado and produced his recording “Cherry Pink and Apple Blossom White for RCA.
Famous pieces of Pérez are composers of famous pieces like “Mambo No. 5” (later an English-Topper chart for both Lou Bega in 1999 and cartoon character Bob The Builder in 2001) and “Mambo 8”.
At the height of the Mambo movement in 1955, Pérez hit the US charts at number one with a cha-cha-cha version of “Cherry Pink and Apple Blossom White” (composed by the French composer Louiguy). This arrangement, featuring collaboration with trumpeter Billy Regis, held in place for 10 consecutive weeks, sold over 1,000,000 copies, and won a gold disc.
The song also went to number one in the UK [7] and in Germany. Perez first recorded this title for the movie Underwater! In 1954, where Jane Russell could be seen dancing to “Cherry Pink and White Apple Blossom”.
In 1958 a work by Perez, “Patricia”, became the last record to No. 1 on the jockeys and Top 100 charts, both of them gave way to a week later to introduce the Billboard Hot 100 Chart. . The song also reached number one in Germany, and in the UK, it was No. 8.
His international popularity in the United States matches the peak of the first wave of interest in Latin music outside the Spanish and Latino communities in the 1940s, 1950s and early 1960s.
He also performed in films in the United States and Europe, as well as in Mexican movies (Rumberas), always with brand goats and turtleneck sweaters. With the end of the 1950s, his popularity was weakened, and these decades gave way to new tunes, such as Rock and roll and then pop music.
His association with RCA Victor ended in the mid-1960s, and then his recorded output was mainly limited to smaller labels with limited distribution and recycling of Latin-style collections.
Later life in the early 1970s, Pérez permanently returned to his apartment at Mexico City’s Paseo de la Reforma Avenue to live with his wife and two children, son Dámaso Pérez Salinas (known by the name Pérez Prado, Jr.) and daughter María Engracia.
His career in Latin America is still strong. He toured and continued to record material released in Mexico, South America and Japan. He is revered as one of the reigning giants of the music industry and is a regular performer on Mexican television.
In Japan, a live concert recording his 1973 tour was released on LP in the first 4-channel format called quadraphonic.
In 1981 Pérez was introduced in a musical Revue called Sun, which enjoyed a long run in the Mexican capital. In 1983 his brother Pantaleón Pérez Prado, a musician who is also known as Pérez Prado, died, and mistakenly reported Dámaso’s Death.
His last appearance in Hollywood was on September 12, 1987, when he played for a packed house. This is also his last recording year. His health persisted in the next two years, and he died of a stroke in Mexico City on September 14, 1989, age 72.
Pérez Prado’s orchestra alumnus throughout his life, remarkable musicians work in his orchestra, including: Ollie Mitchell, trumpet “Bumble Bee’s flight” Alex Acuña, Maynard Ferguson’s percussion, trumpet Pete Candoli, trumpet Beny Moré, Johnny Pacheco singing, percussion [later Flute] Armando Peraza, Mongo Santamaría percussion, Luisito Jorge Ballan percussion Garay lll, percussion in popular culture
This article seems to contain trivial, small, or unrelated references to popular culture. Please reorganize this content to explain the impact of the subject on popular culture, using references to reliable sources, rather than just listing appearances. Materials without origin can be challenged and removed. (April 2017)
“Patricia” was later introduced in the context of taking all the yarns in the 1960 film Federico Fellini La Dolce Vita for a pool party in the 1969 Goodbye, Columbus film “some Enchanted Evening” by the animated sitcom The sitcom. Simpsons, first aired on May 13, 1990 a series of popular TV commercials for Royal mail in the United Kingdom (using the slogan “I see this and your thoughts”) between 1996 and 2003 the closing credits of HBO Real sex Series of 2000 Pink Clint Eastwood Movie Space Cowboys and Apple Blossom w in the fourth series of British television series from May to December.
The delighted Mambo and dancing records they caused, described in a later chapter of the novel Jack Kerouac, on the Road (1957). His song “Caballo Negro”, “Lupita”, and “Mambo No. 8” are featured in Alejandro Jodorowsky’s Santa sangre (1989).
His recording of “Cherry Pink (and White Apple Blossom)” stands out in the movie Deal of the Century (1983), cookie (1989), and parent (1989). He is mentioned in Dizzie Gillespie’s “swing Low Sweet Cadillac” song. “Perez Parado came after me, to Mama Me Home.”
His song “Gateando” was heard twice in Broken Lizard’s experimental film, “The Tinfoil Monkey Agenda” in the decade after his death, the popularity of Perez’s music is on the rise. Again.
His re-recorded RCA CD continues to sell steadily. “Guaglione” reached 2nd place on the UK Singles Chart in 1995, and reached number 1 on the Irish singles chart, [9] which was later used in Guinness TV commercial prediction.
“Mambo No. 5” was introduced in a Guinness trade, Swimblack, in 1998 (the year before Lou Bega took his cover version of that song with the top of the UK chart).
The soundtrack for the 1997 action movie Mean Guns is primarily a feature of Music Prado, as it is the preferred choice of Ice T characters in the movie. The soundtracks for the 1999 office space film show two of their performances, “No. 8 Mambo” and “peanut vendors.”
In 1999, Prado was inducted into the International Latin Music Hall of Fame. Soundtrack of the 2004 film Diarios de Motocicleta has the prominence of Perez “qué Rico El Mambo”, commonly known as “Mambo Jambo”.
Avant-garde musician nurse with a wound recorded tribute, funeral music for Perez Prado, exceeding 30 minutes in length. Pérez Prado’s “La Chunga” song was used as the theme song for some versions of The Spud Goodman Show.
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